Tyshawn Sorey is an active composer, performer, educator, and scholar who works across an extensive range of musical idioms. As a percussionist, trombonist, and pianist, Tyshawn has performed and/or recorded nationally and internationally with his own ensembles and with artists such as Muhal Richard Abrams, Steve Coleman, Butch Morris, Peter Evans, Misha Mengelberg, John Zorn, Vijay Iyer, Wadada Leo Smith, Dave Douglas, Anthony Braxton, Steve Lehman, and Tim Berne, among many others. Tyshawn’s work has been favorably reviewed in Traps, National Public Radio, JazzTimes, The Village Voice, The Wire, The New York Times, Modern Drummer, The Wall Street Journal, and Downbeat Magazine. As a scholar, Tyshawn received his B.M. in Jazz Studies and Performance from William Paterson University in 2004, where he studied under John Riley, James Williams, and Kevin Norton, while concurrently studying composition with Anton Vishio and John Link, in addition to working in various settings under Peter Jarvis, director of the New Jersey Percussion Ensemble.
In 2009, Tyshawn began his studies with composer-performers Anthony Braxton, Jay Hoggard, and Alvin Lucier, which culminated in earning his M.A. in Composition from Wesleyan University. He is currently a Faculty Fellow in Columbia University’s Doctor of Musical Arts program with a concentration in Composition, studying primarily under George Lewis. Sorey has also conducted and participated in various lectures, panel discussions, and master classes on improvisation, composition, and critical theory at venues such as the Chamber Music America conference in New York City, International Realtime Music Symposium in Norway, Hochschule für Musik Köln, School of Improvisational Music, Musikhochschule Nürnberg, Berklee College of Music, Birmingham Conservatory of Music in England, The Stone in New York City, Conservatorium van Amsterdam, and Cité de la Musique in Paris.