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On View March 8, 2013 – June 16, 2013

NOMA→CAC presents

Brilliant Disguise: Masks and Other Transformations

Curated by Miranda Lash, Curator of Modern and Contemporary Art at NOMA

Second Floor (Lupin Foundation) Gallery

Yasumasa Morimura at the Contemporary Arts Center
Yasumasa Morimura, Daughter of Art History, Princess B, color photograph, transparent medium, 65 x 82 5/8 inches. New Orleans Museum of Art: Gift of Diego Cortez

NOMA→CAC, a new partnership between the New Orleans Museum of Art and the Contemporary Arts Center is presenting Brilliant Disguise: Masks and Other Transformations, an exhibition that explores the motivations and meanings behind masking and disguise as it is manifested in contemporary art and in masks of different cultures.

Since time immemorial, people have used masks and disguises as a means of assuming an alternate identity. In some cases, masks allow the wearer to theatrically perform a character, and in other instances, the secrecy afforded by a mask permits the wearer to more freely express their true nature. Sometimes, the spiritual power or prestige residing in the mask itself becomes a channel for conveying power. From the festival to the confessional, masks protect their wearers from the societal judgments of everyday life and allow the wearers to function on an alternate plane. For artists working in recent decades, masks and disguise provide a means of portraying identity itself as a construct or a line of inquiry to be challenged and manipulated.

Jim Nutt at the Contemporary Arts Center
Jim Nutt, Sliding, Slowly, Softly, 1972. Acrylic on canvas, 50 1/2 x 38 1/2 x 2 1/4 in. New Orleans Museum of Art: Museum purchase, N.E.A. Matching Grant

“Masks and disguise provide an excellent opportunity to think about how we define or ‘perform’ who we are,” said Miranda Lash, Curator of Modern and Contemporary Art at NOMA. “When a mask or disguise is worn, it signals a specific identity, communicated by appearance, cultural, spiritual, and familial history, and in some cases, layers and systems of secrecy. The objects presented in this exhibition are a combination of rarely seen treasures from the NOMA collection, and groundbreaking work by artists who take full advantage of the multivalent properties of disguise. When we cannot see an individual’s everyday face or body, how does it change how we react to them? Can we have faith in the performer or the face behind the mask?”

The exhibition Brilliant Disguise, organized by Lash, was influenced and inspired by New Orleans and its Mardi Gras, which has a rich history of masking. Exhibiting artists include: John Graham, Nikki Lee, Jim Nutt, Yasumasa Morimura, Gillian Wearing, Cindy Sherman, Yinka Shonibare, Lorna Simpson, and John Waters.

NOMA→CAC is an ongoing exhibition and programming partnership between two of the most significant cultural institutions of New Orleans: the New Orleans Museum of Art and the Contemporary Arts Center. Brilliant Disguise is the first initiative of this unique collaboration, which will draw on the strengths of both institutions to provide thought-provoking exhibitions and programming for a cross section of the community.

Visual Arts Support

Visual Arts programs of the Contemporary Arts Center are supported by the National Endowment for the Arts and the Sydney & Walda Besthoff Foundation. Programming at the CAC is supported in part by our Business Arts Fund Members: Arthur Roger Gallery; Callan Contemporary; Hunt Telecom, LLC; The Law Offices of Matt Greenbaum; LeMieux Galleries; Merrill Lynch; Mignon Faget, Ltd. and Modern Market.

CAC CONTACT | Visual Arts Dept | 504.528.3805 | visualarts@cacno.org